A Kentucky saxophonist transforms his instrument with loops, electronics, and improvisation, creating a fascinating soundscape between jazz and ambient music.
I’ve just discovered Jacob O’Donnell, and I love what he’s doing. His album The London System, released in May 2026, was recorded in his bedroom in Lexington, Kentucky. What makes this particularly interesting is that his saxophone isn’t always recognisable as a saxophone.
Through looping, effects and electronic processing, he transforms his instrument into something approaching a synthesiser, building compositions through improvisation and responding to sounds as they emerge.
Some of his equipment is deliberately unpredictable. Rather than simply playing a predetermined composition, he allows the technology to influence what happens next.
There’s something wonderfully appropriate about that for a jazz musician.
Start with: A Life in a Day (4:54)
Listen to A Life in a Day on Bandcamp
Explore more from Jacob O’Donnell
Spotify: The London System
YouTube: Another recording
Bandcamp: All recordings
I’d be interested to hear what others think. Where does jazz end and electronic music begin? Or does the distinction matter?
If you enjoy Jacob’s music, pass this discovery to two friends who might appreciate it. And please leave a comment telling us what you heard.
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